Baseball’s most illustrious player, two-way star Shohei Ohtani, is once again in the spotlight — coming off perhaps the most incredible performance in the game’s history. In his Los Angeles Dodgers’ 5–1 win over the Milwaukee Brewers in Game 4 of the NLCS, Ohtani struck out ten batters and hit three home runs, leading his team to a second straight World Series appearance.
In an age of noise and spectacle, Ohtani’s mastery offers something radical: quiet excellence.
Here’s the historic stat line: first leadoff home run by a pitcher in MLB history; first postseason multi-homer game by a pitcher; first game in MLB history in which one player hit three home runs and threw ten strikeouts; and first player with two career games featuring two or more home runs and ten or more strikeouts. With that, the Dodgers are back in the World Series — again — and Ohtani has redefined what greatness looks like.
We have never seen his like before, and we may not again. We are witnessing the greatest baseball player of all time. The case for Ohtani is overwhelming. He’s a dual threat — an elite pitcher and hitter. Babe Ruth flirted with this combination; Ohtani perfected it. Sure, there’s Cobb, Aaron, and Mays, but they stand in the shadows of Ohtani’s rare combination of power, precision, and poise. He’s so good that comparisons to the past seem futile.
Yet Ohtani’s brilliance feels understated. His greatness is rooted not in domination but in precision — his game is unmistakably Japanese, reflecting a culture that values refinement over showmanship. From Ichiro Suzuki’s breathtaking swing to Hideo Nomo’s majestic windup, Japanese players use repetition to produce baseball art. Japanese players are guided by the philosophy of kaizen — continuous improvement through discipline and patience. That philosophy cultivates a kind of detachment in which the body moves without the ego’s interference. Combined with Ohtani’s raw power and athleticism, these qualities produce the mind-bending numbers that make him singular.
Ohtani’s brilliance is never loud. It’s measured, restrained, composed. He embodies a rare exactitude that speaks directly to the Japanese baseball tradition — a tradition that produces calm focus and selfless execution. It’s the athletic expression of mushin, or “no mind,” drawn from Zen practice: the condition in which action flows without thought or tension. Watch Ohtani closely and you can see it — his movements feel coolly purposeful, every motion an act of balance and intent.
His style also exudes quiet gentleness. Everything about him — his swing, his delivery, even the way he walks on and off the diamond — is balanced and clean. The casual fan might be lulled into thinking there’s nothing remarkable about him, especially on the rare occasions when he doesn’t dominate. But to the trained baseball eye, there is greatness even in his pop-ups, his strikeouts, his off nights on the mound.
I saw him play against the Phillies this summer at Citizens Bank Park, and the feeling was the same. Even in warmups, he seemed composed in a way that made the field feel smaller around him. Watching him was like watching an artist at work — fluid, deliberate, complete.
In an age of noise and spectacle, Ohtani’s mastery offers something radical: quiet excellence. His humility and precision are a kind of rebellion against our swaggering sports culture. So as the Fall Classic begins, pull the kids over to the screen and tell them they’re witnessing something rare — something they’ll tell their own children about someday.
Shohei Ohtani isn’t just redefining baseball; he’s refining it in real time.
READ MORE from Pete Connolly:
The New York Times Op-Ed on HBO’s Task Highlights Our Two Americas.





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